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	<title>Comments on: Zara&#8217;s Interpretation Tricks</title>
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	<link>http://thepracticenotebook.com/zaras-interpretation-tricks/</link>
	<description>flutist Zara Lawler shares tips on learning music</description>
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		<title>By: Franck</title>
		<link>http://thepracticenotebook.com/zaras-interpretation-tricks/#comment-332</link>
		<dc:creator>Franck</dc:creator>
		<pubDate>Thu, 10 Mar 2011 06:14:35 +0000</pubDate>
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		<description>Hi, in &quot;tous les matins du monde&quot;, it&#039;s probably the late Guillaume Depardieu you&#039;re writing about. Thank you by the way for your highly interesting views on practice.</description>
		<content:encoded><![CDATA[<p>Hi, in &#8220;tous les matins du monde&#8221;, it&#8217;s probably the late Guillaume Depardieu you&#8217;re writing about. Thank you by the way for your highly interesting views on practice.</p>
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		<title>By: Bonnie Whiting Smith</title>
		<link>http://thepracticenotebook.com/zaras-interpretation-tricks/#comment-311</link>
		<dc:creator>Bonnie Whiting Smith</dc:creator>
		<pubDate>Wed, 02 Mar 2011 22:16:58 +0000</pubDate>
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		<description>I like to remember that finding an interpretation is fun; this sort of experimentation is one of the best things about being a musician. Also, it&#039;s great to realize that you can change your mind about things even after a first performance.</description>
		<content:encoded><![CDATA[<p>I like to remember that finding an interpretation is fun; this sort of experimentation is one of the best things about being a musician. Also, it&#8217;s great to realize that you can change your mind about things even after a first performance.</p>
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