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	<title>Comments on: Why bother with good practice, anyway?  Part 2</title>
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	<link>http://thepracticenotebook.com/why-bother-with-good-practice-anyway-part-2/</link>
	<description>flutist Zara Lawler shares tips on learning music</description>
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		<title>By: admin</title>
		<link>http://thepracticenotebook.com/why-bother-with-good-practice-anyway-part-2/#comment-268</link>
		<dc:creator>admin</dc:creator>
		<pubDate>Wed, 12 May 2010 12:37:42 +0000</pubDate>
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		<description>I think Julius Baker also said that about perfect practice.  I like the idea from Ferrandis, though, that getting your musical ideas across is a good definition of &quot;perfect.&quot;</description>
		<content:encoded><![CDATA[<p>I think Julius Baker also said that about perfect practice.  I like the idea from Ferrandis, though, that getting your musical ideas across is a good definition of &#8220;perfect.&#8221;</p>
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		<title>By: Helen Bledsoe</title>
		<link>http://thepracticenotebook.com/why-bother-with-good-practice-anyway-part-2/#comment-267</link>
		<dc:creator>Helen Bledsoe</dc:creator>
		<pubDate>Wed, 12 May 2010 10:44:09 +0000</pubDate>
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		<description>Zara, thanks for sharing the ideas, I really like this guy&#039;s approach. Also I read recently Twyla Tharp&#039;s &quot;The Creative Habit&quot; where she says &quot;Practice does not make perfect, perfect practice makes perfect&quot;. Just that thought keeps me focused. Not that I have a hope in hades of ever playing perfectly, but now I can better manage what I want to say musically.</description>
		<content:encoded><![CDATA[<p>Zara, thanks for sharing the ideas, I really like this guy&#8217;s approach. Also I read recently Twyla Tharp&#8217;s &#8220;The Creative Habit&#8221; where she says &#8220;Practice does not make perfect, perfect practice makes perfect&#8221;. Just that thought keeps me focused. Not that I have a hope in hades of ever playing perfectly, but now I can better manage what I want to say musically.</p>
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