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	<title>Comments on: When in Doubt, Slow Down</title>
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	<link>http://thepracticenotebook.com/when-in-doubt-slow-down/</link>
	<description>flutist Zara Lawler shares tips on learning music</description>
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		<title>By: Metronome Trick No. 1</title>
		<link>http://thepracticenotebook.com/when-in-doubt-slow-down/#comment-239</link>
		<dc:creator>Metronome Trick No. 1</dc:creator>
		<pubDate>Tue, 24 Nov 2009 19:38:45 +0000</pubDate>
		<guid isPermaLink="false">http://www.zaralawler.com/blog/?p=551#comment-239</guid>
		<description>[...] September 25th, 2009 at 4:01 pm The Practice Notebook » Blog Archive » When in Doubt, Slow Down Says:[...] practicing playing.  I don’t know any good tricks for speaking like I do for playing [...]</description>
		<content:encoded><![CDATA[<p>[...] September 25th, 2009 at 4:01 pm The Practice Notebook » Blog Archive » When in Doubt, Slow Down Says:[...] practicing playing.  I don’t know any good tricks for speaking like I do for playing [...]</p>
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		<title>By: rachel deren</title>
		<link>http://thepracticenotebook.com/when-in-doubt-slow-down/#comment-238</link>
		<dc:creator>rachel deren</dc:creator>
		<pubDate>Sun, 01 Nov 2009 14:13:13 +0000</pubDate>
		<guid isPermaLink="false">http://www.zaralawler.com/blog/?p=551#comment-238</guid>
		<description>This is the very concept my teacher has been nagging me to use.  I have to admit I have been a bit hesitant to use it because stubbornly I thought it would cause me to regress rather than to progress toward my goal because slow practice was what I misunderstood as being a beginning step but after reading in your blog and seeing how it helped you I feel I MUST TRY IT and I may have hurt myself by not having  utualized this.</description>
		<content:encoded><![CDATA[<p>This is the very concept my teacher has been nagging me to use.  I have to admit I have been a bit hesitant to use it because stubbornly I thought it would cause me to regress rather than to progress toward my goal because slow practice was what I misunderstood as being a beginning step but after reading in your blog and seeing how it helped you I feel I MUST TRY IT and I may have hurt myself by not having  utualized this.</p>
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		<title>By: Bonnie Whiting Smith</title>
		<link>http://thepracticenotebook.com/when-in-doubt-slow-down/#comment-237</link>
		<dc:creator>Bonnie Whiting Smith</dc:creator>
		<pubDate>Fri, 25 Sep 2009 20:06:33 +0000</pubDate>
		<guid isPermaLink="false">http://www.zaralawler.com/blog/?p=551#comment-237</guid>
		<description>I think this technique (playing slowly at a time other than in the very beginning stages of learning a piece) might also be applicable in the middle of the learning process. . . especially when one is doing something slightly uncomfortable/different. (i.e., speaking and playing or, if you&#039;re me, doing something like playing kick drum.)</description>
		<content:encoded><![CDATA[<p>I think this technique (playing slowly at a time other than in the very beginning stages of learning a piece) might also be applicable in the middle of the learning process. . . especially when one is doing something slightly uncomfortable/different. (i.e., speaking and playing or, if you&#8217;re me, doing something like playing kick drum.)</p>
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		<title>By: Anne Anderson</title>
		<link>http://thepracticenotebook.com/when-in-doubt-slow-down/#comment-236</link>
		<dc:creator>Anne Anderson</dc:creator>
		<pubDate>Fri, 25 Sep 2009 20:04:56 +0000</pubDate>
		<guid isPermaLink="false">http://www.zaralawler.com/blog/?p=551#comment-236</guid>
		<description>Yes!  It&#039;s like the first time I picked up the cello after being in Paris for two weeks.  I tried playing Bach 4th Suite Prelude at the pace I left it at, but, aghh, everything was off, naturally.  So I slowed the whole thing down and played it like a Zen meditation, celebrating each note, letting the phrases slowly speak to me in new ways.  And I&#039;ve been playing everything better, with  better tone and intonation since then.</description>
		<content:encoded><![CDATA[<p>Yes!  It&#8217;s like the first time I picked up the cello after being in Paris for two weeks.  I tried playing Bach 4th Suite Prelude at the pace I left it at, but, aghh, everything was off, naturally.  So I slowed the whole thing down and played it like a Zen meditation, celebrating each note, letting the phrases slowly speak to me in new ways.  And I&#8217;ve been playing everything better, with  better tone and intonation since then.</p>
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